On Lea Feinstein’s PAGES, in The Curator

“Bottomless Pond” by Lea Feinstein (2022)

Really delighted to have another art piece in The Curator: “Lea Feinstein’s PAGES,” about the extraordinary text-based works Lea Feinstein has been making. It was a great joy to go to her studio one afternoon this past February to watch her make four paintings based on Ophelia’s song from Hamlet.

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“From the Lost Notebook: 11 & 13” in Tupelo Quarterly

In issue #27 of Tupelo Quarterly, two more “From the Lost Notebook” poems: “From the Lost Notebook 11 (Central Old French” and “From the Lost Notebook 13 (seeing at nanoscale).” This striking cover image of a raven perched at the tip of a tree is by Anna Kaye.

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New poems in Terrain.org and The Night Heron Barks

Just catching up on some recently published poems. It’s my first appearance in both of these outlets, and I’m really delighted by both of them, having admired each for a long time:

“Meteor Crater,” “Cabin,” and “Feel” in Terrain.org. This group feels like a sampler–three poems from three different skeins of my current book manuscript: one poem about a specific, real place; one poem about an imagined place from the fictional narrative in the book; one poem from the Thousand-Year-Old Words project. I love the gorgeous Meteor Crater image Terrain used, and that I had the opportunity to record all three poems.

“From the Lost Notebook 5” in The Night Heron Barks. This poem is from a fourth skein of the book–a scattering of “lost notebook” poems. This is the first one to be published so far. It also includes a recording.

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“Overheard: ‘We are all God’s poems'”

Written in response to an anthology prompt, this poem appears on the first day of National Poetry Month in EcoTheo Review: Overheard: ‘We are all God’s poems'”

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Essay on the new translation of Bambi, in Electric Literature

Jack Zipes’s new translation, which came out this week, emphasizes Felix Salten’s 1923 novel’s evocation of the plight of European Jews. (The Nazis banned the novel in 1936 as a “political allegory.”) I was fascinated to reread the novel through this lens and to compare it to my reading as a child and to my husband and brother-in-law’s experience of the Disney movie as children. Here it is in Electric Literature.

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Thousand-Year-Old-Words

My chapbook Thousand-Year-Old Words is out now from Glass Lyre Press. You can order it from their website, from Bookshop.org, or obtain a signed copy by sending me a message using the Contact link above.

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“To Feel Something That Was Not Of Our World” in The Curator

Orientation Video

An essay about Nina Katchadourian’s extraordinary exhibition To Feel Something That Was Not Of Our World.

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“The Partitive Case” in DMQ Review

This amazing image by Margeaux Walter accompanies “The Partitive Case” in the prose poem issue of DMQ Review.

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“Prothalamion in a Pandemic” and “Antenna” in Electric Literature’s The Commuter

One poem about a (twice-)postponed wedding, and one about–well, longing, and loss, and the strange fascination of a telescoping antenna like the one on a boombox or kitchen radio: “Prothalamion in a Pandemic” and “Antenna.”

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“On Mentors” in Amsterdam Quarterly

A role, not a permanent appointment. New short essay, “On Mentors,” in Amsterdam Quarterly 31.

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